Hi,
It seems like I’ve been away a long time, so I guess I have some explaining to do.
First up, I’ve migrated my newsletter over to Substack. It just seems that this platform is going to let me do what I really wanted with this newsletter. However, I may have a few teething troubles, so please bear with me if I do.
The migration was inspired by Mike Sizemore’s Midnight Quatermass, which, if you’re not subscribed to already, you should, because he has some great content.
Another great newsletter on here is Greetings From My Shed by Documentally.
Documentally, if you remember, was a guest for three episodes of The Soundfackery Podcast. He’s a fantastic raconteur, so head over to listen to those podcasts here.
The third inspiration for this transition was being invited to contribute to the magazine London in Bits on Substack. It’s a great magazine, and I was overjoyed that I got to write about one of my all-time favourite films The Daleks Invasion Earth 2150 A.D.
Right, now that I’ve explained why I’ve moved over to Substack, I should explain why I’ve been so silent.
Well, I think I’m going to leave that for the next instalment…
In the meantime, I’d like to share a recent blog post of mine about working on the new Witchthroat Serpent album in my favourite studio. It’s not all music, though; I’ve got a recipe for my favourite Hungarian dish in there, too!
Click on the picture below to read the article.
Photo by Ügo Greifengeier, 2022
Stay noisy!
Steve